Comparing & Contrasting Legacies

Works from J.S. Bach, C.P.E Bach, and Telemann

 

Works for Violin, Oboe, Cello, and Harpsichord
Exploring the musical legacy of J.S. Bach, his son C.P.E. Bach, and C.P.E Bach’s Godfather, Georg Philipp Telemann, this program compares and contrasts their styles while demonstrating how their combined influence shaped the German High Baroque period.

 


Program

GEORG PHILIPP TELEMANN Paris Quartet in E Minor

Overture
Distrait
Chaconne

JOHANN SEBASTIAN BACH Suite No. 1 in G major for Unaccompanied Cello, BWV 1007

Prelude
Gigue

CARL PHILIPP EMANUEL BACH Trio in C Minor, Sanguineus et Melancholicus H.579

Allegro – Presto
Adagio
Allegro

JOHANN SEBASTIAN BACH The Art of Fugue

16. Canon alla Ottava

GEORG PHILIPP TELEMANN Fantasia in B-flat major for Solo Violin

JOHANN SEBASTIAN BACH Trio Sonata in G major, BWV 1039

Adagio
Allegro ma non presto
Adagio e piano
Presto

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Tags:

Date

Jul 15 2025

Time

1:30 pm - 2:30 pm

Featuring

  • Gonzalo X. Ruiz
    Gonzalo X. Ruiz
    Principal Oboe

    Born in La Plata, Argentina, Gonzalo X. Ruiz is one of the world’s most critically acclaimed baroque oboists. He performs as principal oboist and soloist with groups such as Philharmonia Baroque, Ensemble Sonnerie, Boston Early Music Festival, The English Concert, Wiener Akademie, and Orchestra of the Age of Enlightenment. He has collaborated with conductors McGegan, Savall, Pinnock, Rattle, Egarr, Manze, Leonhardt, Hogwood, Hassellböck, and many others.

    His playing is featured on dozens of recordings including his 2010 Grammy™-nominated recording of reconstructions of the four orchestral suites and the concertos of J.S. Bach. In addition to frequent appearances in recital and with chamber ensembles, his groundbreaking work in new music with American Baroque earned the ASCAP Award for Adventurous Programming and the WQXR Record of the Year Award.

    Ruiz was appointed to the faculty of The Juilliard School in 2009 and for many years prior taught at Oberlin Conservatory’s Baroque Performance Institute and the Longy School’s International Baroque Institute and has given master classes at many of the best American and European conservatories. His former students now fill most of the key oboe positions in baroque ensembles across this country. Ruiz is an acknowledged expert in reed design, and examples of his work are on permanent display at the Metropolitan Museum of Art. In his free time he enjoys playing guitar and dancing tango.

  • Dongsok Shin
    Dongsok Shin
    Harpsichord

    Dongsok Shin was born in Boston and studied modern piano with his mother, Chonghyo Shin, and with Nadia Reisenberg at the Mannes College of Music. He converted exclusively to early keyboard instruments in the early 1980’s. He received international recognition as music director of baroque opera productions with the Mannes Camerata and has been a member of the internationally acclaimed baroque ensemble REBEL since 1997.

    He has appeared with early music groups all over the United States, including the Carmel Bach Festival, American Classical Orchestra, ARTEK, Concert Royal, Early Music New York, and Pro Music Rara; has toured throughout the Americas and Europe; and has been heard on numerous radio broadcasts. He has accompanied Renée Fleming, Rufus Müller, Rachel Brown, Jed Wentz, Marion Verbruggen, and Barthold Kuijken in recital. In addition to his performing career, he is a recording engineer, producer, and editor of early music recordings for many labels, as well as a producer of music videos.

    He is a curator of the antique keyboard instruments at the Flint Collection in Delaware, a tuner of early keyboards at the Metropolitan Museum in New York City, and the early keyboard technician for the Metropolitan Opera. Videos produced by the Metropolitan Museum of Dongsok demonstrating early fortepianos, including the earliest known Bartolomeo Cristofori piano from 1720, have garnered over 400,000 views.

  • Tatiana Daubek
    Tatiana Daubek
    Violin

    Tatiana Daubek is known for her “sleekly elegant” playing (Gazettes Long Beach) and “soloistic precision (Early Music America). In a recent performance of Bach’s famous Chaccone, Daubek’s “flawlessly lyrical rendering filled the cavernous, gold-leaf cathedral with splendor and gave the music the fluidity it wants” (Bachtrack).

    She is concertmaster for New York’s oldest Bach cantata series, Bach Vespers Holy Trinity. In addition, she performs frequently with the American Classical Orchestra, Carmel Bach Festival, Handel and Haydn Society, Musica Angelica, and Trinity Baroque Orchestra. Ms. Daubek is a founding member of House of Time, a chamber ensemble with a thriving series in Manhattan dedicated to performing music on period instruments. Ms. Daubek has taken part in multiple tours across North and South America with Musica Angelica/Wiener Akademie of The Infernal Comedy and The Giacomo Variations starring John Malkovich.

    An active member of her Czech heritage, Ms. Daubek helped start the Festival Jarmily Novotne, a festival in the Czech Republic commemorating the life of star soprano and grandmother, Jarmila Novotna. She has collaborated abroad with the Czech ensemble, Musica Florea and was a featured soloist broadcast live on Czech Radio.

    Daubek holds degrees from the University of North Texas, Boston University and The Juilliard School. Aside from music, Tatiana is also a photographer specializing in portraiture and street photography. She is a new mother to her daughter Sofia.

  • Michael Unterman
    Michael Unterman
    Cello

    Michael Unterman enjoys a busy career as a chamber musician and orchestral cellist, primarily as a core member of A Far Cry, Boston Baroque, the Cramer Quartet, and Tafelmusik Baroque Orchestra. He was also formerly a member of the Portland Baroque Orchestra and of Five Boroughs Music Festival where he served as Artistic Director. As a frequent curator and producer of concert programs, his projects have been praised as “just the kind of imaginative artistic agenda that more groups should be prodded to try” (Boston Globe) and “gorgeous and remarkably unified” (Washington Post). Relishing a wide variety of musical roles as well, he has been praised for his “soulful and sultry solos,” “nuanced, sensitive, and wholly gorgeous collaboration” (Classical Scene), and “heroic continuo” (Parterre Box).

Location

Sunset Center Foyer
Sunset Center Foyer
San Carlos St between 8th and 10th Ave, Carmel-By-The-Sea, CA 93923
Website
https://www.sunsetcenter.org/

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