Bach, Haydn, and Beethoven

J.S. Bach – Ricercar a Six, Haydn – Harpsichord Concerto in D major, and Beethoven – Symphony No. 1 in C major

 

Monday evening’s program offers a rich tapestry of musical voices, presenting works by Bach, Haydn, and Beethoven that explore the art of innovation and transformation. The evening begins with Bach’s Ricercar a 6, a masterpiece of contrapuntal writing from The Musical Offering. This intricate work, built on a single theme, reveals the endless possibilities of variation and interplay between voices. Together, the voices form a cohesive texture that creates richness and complexity in the music.

The program continues with Haydn’s Harpsichord Concerto in D Major, H. XVIII:11, one of his most celebrated keyboard concertos. While Haydn’s Harpsichord Concerto in D Major is often performed on the pianoforte today, the festival will feature a harpsichord for this performance, allowing audiences to experience the piece as it was originally conceived.

Finishing the evening is Beethoven’s Symphony No. 1 in C Major. Written early in his career, the symphony pays homage to Classical traditions while signaling the bold, dynamic voice that would define Beethoven’s later works.

 


Program

BACH, J.S. Ricercar a 6 from The Musical Offering BWV 1079

HAYDN Harpsichord Concerto in D major, H. XVIII:11

I. Vivace

II. Un poco adagio

III. Rondo all’ungherese: Allegro assai

INTERMISSION 

BEETHOVEN Symphony No. 1 in C major, Op. 21

I. Adagio molto—Allegro con brio

II. Andante cantabile con moto

III. Menuetto: Allegro molto e vivace

IV. Finale: Adagio—Allegro molto e vivace

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Director

Peter Hanson
Peter Hanson

Date

Jul 21 2025

Time

7:30 pm - 9:00 pm

Featuring

  • Peter Hanson
    Peter Hanson
    Concertmaster and Director of Monday Main Concert

    Peter has been Concertmaster of Sir John Eliot Gardiner’s Orchestre Revolutionnaire et Romantique since 1992, when they recorded their first complete set of Beethoven symphonies. He appeared as its Concertmaster soloist for European and U.S. tours of Beethoven’s Missa Solemnis, a 2017 BBC Proms performance of Berlioz’s Damnation of Faust, and in 2018, major European and U.S. tours of Berlioz. In 2020, they performed all the Beethoven symphonies in Barcelona and U.S. including sold-out concerts at the Carnegie Hall, New York.

    Peter formed The Eroica Quartet in 1993 with colleagues from the world of period instrument performance. The group immediately attracted attention with their vision of a revived Romantic approach to the string quartet literature, from Beethoven to Debussy. Their performance style was so unusual at the time that it struck listeners as radical. In 1997 they began their first Beethoven cycle, appearing at the City of London Festival and in the same year appeared at the Aix-les-Bains Nuits Romantiques Festival in France.

    The Eroica quickly became established, and toured extensively in the United Kingdom as well as making visits to France and the U.S. Their American debut was in Washington, D.C. and the New York debut was in February 2001, at the Frick Collection. For Harmonia Mundi USA they recorded the Mendelssohn and Schumann quartets and Beethoven quartets Op. 74, 95 and 135. For Resonus Classics, they recorded the original 1825 version of Mendelssohn’s Octet, Op. 20 and, more recently, the quartets by Debussy and Ravel. Released to coincide with the 150th anniversary of Debussy’s birth, this album represents the first modern recording of the works to feature performances on gut strings and with aspects of period performance.

    Peter is a concertmaster of the Carmel Bach Festival in California. His role includes chamber music performances, directing the string orchestra and appearing as Concertmaster for most of the Festival Orchestra concerts. The CBF orchestra is very flexible with regard to period and modern instruments and style; he recently gave performances of Vivaldi’s Four Seasons on baroque instruments at Hz415 followed by the Piazzola 4 seasons on modern (Hz440) in the second half of the same concert.

    Peter also appears as Director elsewhere; recent engagements include projects with the Singapore Symphony Orchestra, Kymi Sinfonia from Finland and Orquesta da Camera in Spain. He was recently Guest Concertmaster with the Luxembourg Philharmonic, the Stockholm Radio Symphony Orchestra, and in 2017 was Guest Concertmaster for a Beethoven and Gade project with Concerto Copenhagen in 2019. He returned to Singapore for a new project in 2021.

  • Andrew Arthur
    Andrew Arthur
    Principal Keyboard

    A native of the UK, Andrew Arthur enjoys a fine reputation as a conductor, keyboard soloist, ensemble player, and teacher of exceptional versatility. He combines these disciplines within his principal position as Fellow and Director of Music at Trinity Hall, Cambridge where he is also an Affiliated Lecturer in the University’s world-renowned Faculty of Music.

    An acknowledged specialist in the music of the Baroque and Classical periods, Andrew is in great demand as a conductor, keyboard soloist, and consort player and has appeared at many prestigious international festivals. He currently holds the positions of Associate Director of The Hanover Band and Musical Director of his own period-instrument ensemble and vocal consort, Orpheus Britannicus. Andrew’s solo and directorial recordings encompass repertory spanning over 400 years.

    Alongside his busy concert schedule, he works throughout the year training the Organ Scholars and conducting the Chapel Choir at Trinity Hall with whom, in addition to their regular schedule of services in the College Chapel, he undertakes a number of concerts, recordings, and international tours.

Location

Sunset Center Theater
Sunset Center Theater
San Carlos St between 8th and 10th Ave, Carmel-By-The-Sea, CA 93921
Website
https://www.sunsetcenter.org/

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