Molly Quinn
Soprano
Hailed for her “radiant sweetness” by the New York Times, Molly Quinn has garnered praise for her thought provoking and delightful interpretation of music from the medieval to the modern. She has collaborated with The Knights NYC, Portland Baroque Orchestra, Apollo’s Fire, The Folger Consort, The Bang on a Can All-Stars, TENET, Trinity Wall Street, Ascension Music, Clarion Music Society, Saint Thomas Fifth Avenue, Pacific Baroque Orchestra, North Carolina Baroque Orchestra, Quicksilver Ensemble, and Acronym. She has been featured in projects by notable presenters including The Lincoln Center White Lights Festival, Moscow’s Gold Mask Festival, BAM Next Wave Festival, Baldwin Wallace Bach Festival, Bang on a Can marathon, San Francisco Early Music Series, Montreal Baroque Festival, Carnegie Hall’s Venetian Festival, The Staunton Music Festival, and The Carmel Bach Festival. Recordings include Biber’s O Dulcis Jesu with Acronym.

Cleveland Classical Review describes Molly’s vocal tone as blossoming “like ink in clear water.” She was a featured soloist on Trinity wall Street’s Grammy Nominated recording of Handel’s Israel in Egypt. She has performed as a soloist in such noted international venues as Shostakovich Hall in St Petersburg, Teatro National de Costa Rica, The Arts Center of NYU Abu Dhabi in the United Arab Emirates, Vancouver’s Chan Centre, and San Cristobal Cathedral in Havana, Cuba.